It happens with
ever singer and with each music album…a few songs associated with them often
become so popular that they end up being synonymous with them and their
success. But in the process there are some genuinely good ones that often get
ignored or sidelined.
This is an
attempt to bring to the fore some of Shafqat Amanat Ali’s songs, which in my
opinion, deserve more of the limelight.
Sublime Devotion
"Ram Rai Hohe Baid Banwari"- A beautiful shabad by Bhagat Bhikanji reiterates my belief that the Bhakti the Devotional genre is what Shafqat was born to sing. This was for an album in 2008 for which Jagjit Singh composed the music.
Riveting, Ramchand Pakistani
This award
winning film, released in 2008, is a poignant tale of the inadvertent crossing
over of a Pakistani man and his son into the Indian side of the border. The
film was an Indo- Pak collaboration in more ways than one. The music of the
film was given by the known Indian composer Debjyoti Mishra who got Shafqat to
sing 2 songs for the film.The songs are penned by the famous Pakistani writer
and poet Anwar Maqsood..
The songs also feature another favorite of mine Shubha Mudgal.
The songs also feature another favorite of mine Shubha Mudgal.
The first- “Phir wohi Raastey” conveys so
beautifully the pain a child who is away from his home
“Kya Meri Muntzar Hai Ki Aaun Kabhi,
Wo
Mere Saath Udhti Patangein Meri,
Mere Haathon Ko Choomein Gi Aakar Kabhi”
Do they await, do they expect me to return…
Those kites that flew as high as my dreams…
Will I be able to feel them in my hands,
ever again
And then you have “Allah Megh de” – yet another take on
the very memorable folk song that has enthralled us in different forms
If there were
any two voices that matched perfectly in terms of their power, their ability to
be in sync with the emotions of the words that they sing, and their grip over
the technicalities of the art of singing it has to be these two. Sheer bliss
and joy… Can, but just pray that they come together to collaborate once again,
very soon
Punjabi Pleasure
Punjabi music
is often equated with loud, boisterous, crazy… And if I tell you that there are
songs in Punjabi that are sweet and sentimental and slow…you would probably
dismiss me disbelievingly. Well then, you must listen to some of the songs
Shafqat Amanat Ali has sung in Punjabi.
An album called
Studio Amritsar composed by Gaurav Issar was released apparently in the 2004
and featured artists like Richa Sharma, Labh Janjua, Shahid Malliya and of
course Shafqat.
Tere bagair Sajna… talks of the pain of
separation, the life without the beloved
“Akhiyan ch ne udeekan, lab te sawaal
hai.. In the eyes lies the wait on my lips the question…”
“Assa ho gayen ne leeraN.. Jeena Muhaal hai”-
Without you I am in tatters, It is so hard to live on
Aa do Kadiyan…is the invitation to sit
down and share a few heart to heart moments….
“Main Honwa, tu Hove,Te saada rab”- Let there just be you, me and Our God!
Listen to it here
Lang Aaja - Is a very popular
traditional Punjabi folk song and Shafqat’s version features in an album on
Indian Wedding songs by Music today..This is the only male version of the song
that I have heard- slow paced that allows you to linger over and enjoy the
words and the melody and he leaves his stamp of classical singing in this one,
too. My other favorite version is by Surinder Kaur.
The Coke Studio Cheer!
Shafqat has
featured in both the Pakistani and Indian editions of the highly acclaimed
music show, Coke Studio. In the season 1 of the Indian Coke Studio besides some
of his hits he sang a brand new number composed by Leslie Lewis called Tere Bin Dil Laage na is a happy kind
of song… in quite a different zone than
the sad, Sufi, soulful territory that Shafqat commonly treads
Scaling New heights
"Paakida" is from the album Arrk by Music Today which was labeled as a "Sufi Rock" collection and featured artists like Zubeen Garg, Javed Ali and Chitra among others. This very high pitched, high energy number showcases Shafqat's powerful vocals and is guaranteed to get the spirits soaring to new highs of musical ecstasy
Twice over?
Tu Hi Tu is a song that was first heard
in Zubeen Garg’s debut album, Zindagi that was released in 2007. This song by Shafqat was later added onto the
song list of Tabeer, his first solo album after his breakup with the Fuzon
band. An interesting video was also produced for the song. But what I like most
about the song is the very contemperory, modern feel of the song reflected both
in the compostion and the lyrics…
Blissful Bollywood
Kaarvan comes, surprisingly, from the
house of Sajid-Wajid. It is a track from a film called Hello and apparently was never used on screen. The film also didn't too well and the song, too sadly, never saw the success it deserved.
“Par To Lage Hain, Udte Nahi Hain
Jab Kuch Nahi Hai, Kyun Saji Hain Roshni
Shola Jaga Diya, Dekar Hawaa...
Aisa Jahaan Tera, Ab Bata De Tu Bata De
Khuda...”
Beautiful words, written by Jalees
Sherwani and at the cost of repeating myself- when a voice like Shafqat’s
complains to God, He would have no choice but to listen!
Poore se zara se kam is a beautiful track from Mausam. This one is
called the Band Mix did not appear in the released soundtrack. Even though I
love the version by Rashid Khan used on screen but this version is excellent,
too
And more
Each of the 3 albums by Shafqat has some songs
which have connected and stayed with the listeners in a big way- Khamaj, Aankon
ke Saagar, Khedeyan de naal, Darbari, Akhiyan have been massive hits. But each
of the 3 albums also has some gems which deserved to be talked about and
listened to more often…
Naina from Tabeer has to
be one of the sweetest romantic numbers I have ever heard. Madhbanti from Saagar is The song for a lonely night, the
composition of Naukar Tere, from Kyun Dooriyan is based on a folk, wedding song and the words are so simple, yet
so profound, and Kaaga ja in Pahaari
from the same album is soulful.
But it is an unplugged version of the last one that makes me fall in love again and again with the powerful voice that doesn't really need any musical instruments as props!
But it is an unplugged version of the last one that makes me fall in love again and again with the powerful voice that doesn't really need any musical instruments as props!
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