Showing posts with label Manmaniyan. Show all posts
Showing posts with label Manmaniyan. Show all posts

Monday, January 28, 2013

The First...& the Most Special


"The night came…and it brought the star(s) with it..."







Being a Shafqat fan is a joy for me…but the joy had always felt a little incomplete- reason being that I had not seen him perform live. A wish that had grown stronger with two very close missed chances of attending his concerts in the past.

My fascination for live concerts began as a child, years ago. It was when my dad bought our first tape recorder- the latest rage in the market at that point in time. And the first ever tape that he bought was titled “Lata in England” – the recording of the great singing legend in a live concert. It was absolutely amazing to hear the melodious voice speak directly to her audiences, the grand sounds of a live orchestra and the applause of the enchanted listeners- an absolutely different experience from hearing the recorded song on radio.

And over the years I watched many memorable ones- Have been a part of a massive crowd listening to Jagjit Singh on the Ridge at the famous Shimla Summer festival... Have listened and learnt a lot from the college and school concerts with many a bigwigs of Indian classical music as an active member of the SPICMACAY (names like Hari Prasad Chaurasia, Shiv Kumar Sharma and many more)... Have been a part of a small intimate gathering that kept requesting n number of songs and getting happily obliged each time by the great Ghulam Ali  (sat there till the wee hours of morning with no thought of food, water or any other insignificant thing even crossing the mind…)

But this one was really special…as it gave me a sense of totality as far as my admiration for his work is concerned.  Had booked my tickets well in advance and the fact that it was an MTV unplugged concert made me look forward to it even more as I love the concept of the show.

It was surreal to watch him walk up on stage and then after some small talk to break the ice, he started straight away in top gear with Khamaj… and with that I knew this was an evening that I wouldn't forget very easily.




The music flowed through the night…and so did the love …and the humor-Was pleasantly surprised to see the funny bone in him as he made his way around the table- nibbling at a snack from someone’s plate at one, playfully pretending to steal a whiskey bottle from another. He happily obliged people with big hugs and photo ops and even remained smilingly patient with the over enthusiastic ones. He also sang along with a few and gave them memories to cherish forever.




If Khamaj happened, could Aankhon ke Saagar be far behind? Ye Hausla, Kyun main Jagoon followed…interspersed with an impromptu Khaideyan de Naal on the request of a very vocal and persistent fan in the audience and  then Aaj Jaane ki zid na Karo- the anthem of music lovers in both countries, as he put it, happened...  and it was magical as it always is. Darbari from Tabeer was a surprise and Manmaniyan, the new song that he did for MTV unplugged India, was a treat to hear.





He also teamed up with Shilpa Rao, the other star of the evening for a very beautiful Bin Tere. And they both sang together and ended the show on a high with the perennial favorite- Dama dam Mast Qalander. It was such a delight to hear the two great voices, one earthy and mellow- the other powerful and divine, collaborate, improvise, and add a new dimension to the wonderful song, which, he said, wasn't just a song for him but an Ibadat, a prayer.


And I sat there in the audience (mouth agape all the time, I have to admit, sheepishly) taking down mental notes of little things… like his touching his ear to say sorry for slightly faltering at a note (which no one could  have known beside him), his bowing down to touch the floor of the stage each time he climbed back onto it after a round of audience interaction, his open-hearted introduction to, and generous compliments for the musicians accompanying him, his obeisance to  the spiritual master each time he sang the name of Ali in ‘Dum Ali Ali Dum ’
It was heartwarming indeed, to see that even in this day and age where music in live concerts seems to take a backseat to food, booze and cellphones he still manages to preserve some of the adab , the etiquette, of the great tradition of music in the subcontinent. I just wish we, as audiences, would learn to do a bit of the same, for that’s the least we can do to show our reverence for our artists and the art

So that’s that…my first ever Shafqat concert and hopefully not the last. And firsts are always special aren't they...

The first born of the family, the first step of a toddler, your first salary, the first ray of the sun on a brand new day, the first star you spot in the evening sky, the first time you fell in love…So this too was very, very special indeed!



Thursday, December 13, 2012

That Special Connection...


I have a theory…it’s about a special connection, a special fascination, that Shafqat Amanat Ali has, which inspires him to create the music that he does- and the theory emerged after watching some of his recent television appearances.

First, the opening episode of the season 2 of The Dewarists- on which Shafqat along with the music director duo of Salim- Suleiman and Fin Greenall created a song called “Let Go”. And then there was MTV unplugged, again into its second season, where Shafqat featured in the 2nd episode and sang, along with a few of his very popular hits, a brand new song called “Manmaniyan”



Let go
“Akhiyan wich wasda…nazar ni aaunda/Samajh ni aaundi karamat , teri
Hai yeh kaise mujhme sohbat teri…Akhiyan nu de de aasra
Suna tu hai vaade de khara ve…Akhiyan nu de de aasra
Sab toh sona, tu mere ch rehnda /Hai ae kaisi ajab sajavat teri
Hai ye kaisi mujhme banavat teri..Akhiyan nu de de aasra”


In my eyes you dwell, yet remain invisible- just can’t fathom this enigma
You are within, one with me… Just reassure my eyes
You are true to your words, so I’ve heard- Reveal Yourself and soothe my eyes
You, the most beautiful, resides in me- how mysterious is this magnificence
You take my form and that’s why I am…Let my eyes, too behold this glory





Manmaniyan
“Jagde rehnde na saun, Kaanu vairi hue apne/Bas teriyan rahan te jam gey ne nain mere
Tainu labde ne nain, Phaven din phaven rein/Tainu har vele, kehn, jaaniyan
Das jaa ve dil jaaniyan/Kaanu karna hai manmaniyan
Laaye dere saatho door ve, Kaanu keeta ee majboor/Kinu aakhan dil diyan galaan,Tainu likh likh sanehe ghallan
Teriyan socha ch rehn, Nai thakde kamle nain/Na ik pal lende chein./Dukh tere has- has sehn”


The sleep eludes… my eyes, torment me/ Staring forever at the path you walked on
Searching, day and night/Asking you- Why do you never yield, never relent?You are so far away, and I feel helpless/ Whom do I confide into, have  tried reaching out to you
Thinking about you endlessly, they don’t tire, these crazy eyes/ Never resting for a moment, happily they endure this suffering…



So what’s common in both these songs, besides the fact that Shafqat sang them?

One of course is the genre and mood. Both the songs have the elements of Sufism. Then the lyrics of Shafqat’s portion in Let Go and of course the song Manmaniyan are both in Punjabi and both incidentally, have been penned by the man himself. (That Punjabi is the language that Shafqat has his conversations with God in, is another theory that I have, but let’s just stick to the present one for now)
So the one common thing in these two songs that struck me was that both the songs talk about- Eyes! And my theory is that Shafqat has a special connection and fascination with the word eyes and its synonyms too, when it comes to his songs…


“The eye through which I see God is the same eye through which God sees me; my eye and God's eye are one eye, one seeing, one knowing, one love.” - Meister Eckhart



This connection with the eyes is not really surprising because it is a well-known fact that there is a strong Sufi side to Shafqat’s personality and you can catch a glimpse of it in every song of his. Sufism often talks about eyes being the gateway to the soul. The eyes and the heart are the senses of the soul and all three are interconnected. We use our eyes to see the physical world around us but when we shut our eyes we start looking inwards.


“I shut my eyes in order to see”-said Paul Gauguin because when we close our eyes we start seeing what we are supposed to see- In an attempt to find an inspiration, in prayer or meditation, while experiencing something beautiful… Many singers, including Shafqat, often sing with their eyes closed… and we often close ours while listening to our favorite songs..



“Then love knew it was called love. And when I lifted my eyes to your name, suddenly your heart showed me my way”- Pablo Neruda



Shafqat also is, by his own admission, a hard core romantic. In fact Sufism is also a form a romance- the highest and the purest- where the soul romances the Supreme. But even for the mere mortal kind of romance the significance of the eyes can never be undermined. So poets and songwriters of all times have written about love at first sight, songs in praise of the eyes of the beloved, eyes shedding tears of separation, eyes waiting for the lost love to return and so on…



“Eyes can only capture objects that are already seen in mind. And mind can only see things that are already written in heart.”- Toba Beta



Shafqat has written the lyrics for almost all the songs of his 3 albums so far. Fuzon’s Saagar was Shafqat’s debut album and the very first song composed for it was “Aankhon ke Saagar”. The other equally popular Khamaj talks about the lover who is silent and urges him to come back – “Nain teehari raah nihare, naino ko tarsao na”. And then there is another one which is called Akhiyan, pleading the lover never to be out of sight…

Probably the best song from his next, Tabeer, is Khaireyan de Naal and it talks about having found enlightenment through love… “Bund Aankhon se raah dikhe, Raanjhe who jot jagayi” It also has a song called Naina- about eyes that have forgotten to sleep as they are so lost in love…”Din mein na soyein bairi, raaton ko jaage, jab se ye paagal naina tere sang laage”



His last released  album was- Kyun Dooriyan, which has a beautiful composition in Pahaari that talks about  how a pall of gloom that has descended in someone’s world since their beloved abandoned them and how the tears from the eyes can never stop flowing…

“Humri Nagariya Chhayee Badariya/Naina Bahein Saari Rain
Aaja Sanwariya Teri Ye Bawariya, Jogan Ho Gayo Bhes”

Like someone has said- “If eyes are windows to the soul, then tears are heavens rain.”

And the mood continues in Mahiya…

“Har Vele Rehndiyan Ne Taanga Mainu Teriyan/Tak Tak Rawaan Akhan Thak Gayeeyan Meriyan
Akhiyan Nu Chaa Barha Channa Teri Deed Da/Ban Ke Tu Aaja Kadi Chann Jiven Eid Da”…

The eyes yearn to have one glimpse of you…appear before me; won’t you like the blessed Eid moon in the sky?


If I ever get to ask him, I am certainly going to ask Shafqat – what’s with you and the eyes? :) Because when Shafqat himself isn’t pursuing the eyes, they are pursuing him…look at the lyrics of some of the Bollywood songs that he got to sing…

Tere Naina –"Rab ki nemat hai teri nighaein"

Mitwa –"teri nigahein paa gayin raahein, par tu ye soche jaun na jaun"

Bin Tere- "Ajnabi se hue kyun pals nazar se nazar yeh milaate hi nahin"

Zindagi se churake- "Ab sath hain hum is tarah aankhon ke sang palken/Aa waqt ko ye baat hum phir ek baar kehde"

Tu hi mera- "Tere Ishq Me Dooba Rahe/Din Raat Yuhin Sadaa/Mere Khwaab Se Aakhein Teri /Ik Pal Na Hoye Judaa"


You might call this stretching the logic, too far: P…but then maybe you should have watched Shafqat at a recent TV channel event singing – “Main kya jaanu kya jaadu hai, inn do matwaale naino mein”- when he was asked to sing a memorable song that he grew up with. And then “Ye nayan dare dare” when asked what his most favorite romantic number was.

Convinced? Do you see the connection, now? For Eye  I certainly do… But  if you still don’t then I suggest that you put on your favorite Shafqat song, 'shut your eyes and  see  listen to the beauty…'